Rem Koolhaas is one of the key architects of the second half of the 20th century. From the United States to China, his designs have showcased his radical thinking for more than 40 years now. The same is true of his essays and Harvard lectures. However, his influence on contemporary architecture remains hard to pin down. To better understand how his work has been received around the world, Christophe van Gerrewey, a researcher and tenure-track assistant professor at EPFL in the theory and history of architecture, put together an anthology of 150 texts from all corners of the globe and published between 1975 and 1995, some of which have been translated into English for the first time: “OMA/Rem Koolhaas, A Critical Reader from Delirious New York to S,M,L,XL” (Birkhäuser). The anthology represents a genuine salvage operation, to save texts that would otherwise have been consigned to history. The book is illustrated with dozens of magazine covers featuring the architect’s image – from the specialist press to Vogue – both highlighting his global popularity and raising questions about it.